1253 безплатни аудиофайлове за "Analog Broadcast"

Simple lead.

I'm trying to get some character to my modular sounds. This is a sequence with a sawtooth wave mixed with noise and joined in a vca that can distort a little. It's a vca i bought used. Don't think a new vca of the same sort distortes. I really like that. I little reverb is added to the sound. The sound is analog until it reaches the reverb. Sometime i will buy a spring reverb. Promise. But here, on the internet, the sound is digital anyway.

Alienxxx and i had a little private dare. This is how it sounds when i have mixed the two resulting files. I made a schematic sketch on a simple modular patch. All info was this sketch. The resulting sounds was meant to be 30seconds long and in mono. We both posted our sounds. Alienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/i wanted to mix the sounds as a stage two in this dare. This sound is the result of my mix.

Two filters playing a melody. The filters are uoki-toki polivoks vcf and intellijel μvcf.

In the right channel you hear uoki-toki polivoks vcf. In the left channel is the sound of intellijel μvcf. They are playing the same tones. The sounds have the same envelope but respectively vca are also affected by attenuated lfos.

Mopho dave smith instruments analog drum kit - bd0.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

My fender telecaster going through a home-made 8-stage phase shifter. Very messy circuit, but i like the dirty noisy sound.

I was fiddling around with an analog synth that went into a peavey km50 keyboard amp and i made this soundit has loads of pitch editing giving it the house-ey feel to it and i think it was an fmaj5/9 chord with extra 6ths and 4ths.

This was an experiment running a yamaha tx81z through a korg ea-1. The fm is a grand piano patch decimated and warmed up with analog oscillators. Sampled into an mpc. 44. 1k, 16-bit.

Sound made on modular. Today i cant come up with no cool name for my sound. I hope "fussy" is an okay name for a sick rhythm. "fussy" sounds sweet in my ears. Google corrects me, "do you mean 'fuzzy'?". No, i dont. I want fussy. . . Eehhh well. . . .

Modular synth patch with 2 voices (vcos). One sinus wave and one triangle wave. Max reverb (hall) on my ladik d-330. Output to reverb is mono. Observe how the output from the reverb makes affects the channels. Meanless and bizarre video on https://www. Youtube. Com/watch?v=daymdm8vrz0.

This is an aif (garage band) file of just good ol' tape hiss recorded from a jvc tape machine (cassette). It's just tape hiss. You can change the freq to help blend it in your recordings. I have the volume on this at a higher level. When i blend this with my digital recordings i turn it down just enough to hear it without it being too analog sounding. Hope you can use it. It's great for soft passes and solo instruments, much like white noise of a studio perhaps.

Arp odyssey percolating sound, starts at low frequency and climbs into the upper registers.

Arp odyssey percolating sound, starts at mid frequency and climbs into the aether.

Arp odyssey rushing wind sound, created with noise generator and filter resonance.

Arp odyssey portamento effect, a single key glide up with a multi-key slide back down.

Patching with eurorack analog modular synth. No external effect or computers used here.

Patching with eurorack analog modular synth. No external effect or computers used here.

Patching with eurorack analog modular synth. No external effect or computers used here.

Samples recorded from an arp 2600 synth. More infos:http://en. Wikipedia. Org/wiki/arp_2600http://www. Vintagesynth. Com/arp/arp. Php.

This is a sound effect i generated that simulates the background noise of a vhs tape from ca. 1991. It is basically pink noise at approx. 0. 01 dbs and sawtooth wave at 60 hz, both combined with audacity. It is ideal for adding to video projects on i. E. : sony vegas to recreate the effect of vhs. Enjoy this sound effect.

An lfo set to 1hz connected to doepfer a-160 clock divider and hexinverter électronique jupiter storm "cv all". Before recording i reset the clock divider. Low tone triggered by /2middle tone by /16highest tone triggered by upiter storm output xi. I can't reset jupiter storm. Ok, what do we hear/see. Low tone every 2 secondmiddle tone every 16 secondhigh tone every 19 second!.

Testing "new" modular synth. I think i like this set up. But i have to few vcas!.

I have many reasons to be motivated trying to give thanks to him. I happened to focus one day on the prohet ezekiel. The book starts with describe kinda dream hje had. He he ard a tremendous roar and he saw god's "spacecraft" landing somewhere in today's iran. He described a vehicle that god uses for importantr matters. My sound is maybe better to be connected with 500,000 ton oil tanker. However, i decided to make the feeling 0f a enormous powwer, coming from the lord himself. So, enjoy this several minutes long file. I could see a smile in god's face, b ut he said nothing.

Algorithmic drone music program. The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem osc_1 - wave shaped sin oscillator (osc) - tuned to 130hz00 rem osc_2 - clean sin from oscillator - tuned to 130hz00 rem osc_3 - sqr from oscillator through filter - osc tuned to 130hz00 rem clk speed = 0. 5 hz00 rem line 01 each of the 3 vcas gets an unique cv value ([gate] -> [3 s/h] -> [3 vca])00 rem ---------------------------------------------------01 sample values for vca (cv in) x 3 (osc_1, osc_2, osc_3)02 sample frq for osc_103 sample frq for osc_204 sample new clk speed05 sample frq for vibrato in osc_106 sample frq for osc_307 env to all vca08 sample cv for (osc_3) filter10 goto 01. When i begin the recording the program has been running for a while.

Bartonmusicalcircuits dual logic. Yep, a dual logic module. And, nand, or, nor, xor, xnor. Quick worthless patch. . .

Do not compromise with your hart. Let the modular play. Not for someone, but for you. A waveform exploration led to this graphic piece sound/music/thought.

Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.

Chaos controlled sounds from an analog modular synth.

I was messing around with my korg volca keys, and i liked this little section. The only problem is that i believe it only recorded into the left channel for some reason. I don't know why that happened, so unfortunately you will have to correct that, but it should be an easy fix in any sound editing program.

Now you do the rest.

Removed noise (rx 7) from files of schafferdavid - korg mini pops ( https://freesound. Org/people/schafferdavid/packs/16510/ ).

Good for your analog horror n void meme needs. Slapped with reverb and a couple of otts.

Natural analogic tambourine hit-1 (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

Natural analogic tambourine hit-4 (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

Natural analogic tambourine hit-3 (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

Natural analogic tambourine hit-2 (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

Behringer model d analog synth bass samples (semiopen filter).

A small feedback patch.

Showcasing the filter on some chords played on the unearthly oberheim ob-8 analogue synthesizer. Would love to hear your re-purposing of it!.

Recorded my self and edited in protools 9 for a theatre performance. Used a ksm 32 and a zoom digital recorder. Text as follows "this concludes our broadcast day. Good night, and god bless america. ".

A double krell with delay.

A random harmonic synthesis sound made with audacity's tone function and fade-outs.

Spitty moogsub37 recording.

1st chord progression made with multisamples saw wave sampled from arturia minibrute loaded into a kontakt2nd one made with single waveform from the same samples loaded into serumjust for analyse the difference between the two signal. Donate: paypal. Me/rvone.

Playing with delay.

This is nlc jerkoff. A chaos module. Doing. . . Chaos.

Short, resonant logotone or ident sound. Sounds like something that might appear along with a video bumper before an early 80's pbs program.